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The first new one in some years from this very good, modern Germany psychedelic band; happy to hear from them again!
"The 2017 full-length by the German psych heads offers approximately 75 minutes of out-there rock sounds."


“The second volume of Colour Haze live material was recorded during the band's legendary 2007 concerts on the island of Sardinia.”

“And Colour haze can play live! Their studio albums are great, but this live album is superb, as is the previous volume.
A quality recording of how well Colour Haze play live. A solid testament to their continued development. All CH fans will love this recording.”

Super-great, mostly instrumental, German guitar/bass/drums psychedelic trio that has guests on keyboards in the right places and even some bits with Santana-fied percussion, but basically it's all just flowing and inspired guitar leads on top of a great..

"It is no small thing for a band to change its construction after about 20 years of working with the same lineup, but as they cap their 25th anniversary celebration in 2019 with the release of the new album, We Are (formerly titled Life), that is precisely what Munich’s Colour Haze have done. The godfathers of European heavy psychedelia have operated since 1998 as the core trio of guitarist/vocalist Stefan Koglek, bassist Philipp Rasthofer and drummer Manfred Merwald, but with 2017’s In Her Garden...

"In the early 1970s pianist and composer Adegoke Steve Colson and vocalist Iqua Colson were both members of The Association for Advancement of Creative Musicians (AACM), the radical home of jazz music in Chicago, and spiritual home of the Art Ensemble...

"On Sunday, February 21st, 1971, a benefit was held in New York's Carnegie Hall for Swami Satchidanda's Integral Yoga Institute, featuring Laura Nyro, the New Rascals, and Alice Coltrane's All-Stars.
The latter band was a remarkable coming-together of talent, with Lady Trane joined by legends such as Pharoah Sanders, Archie Shepp, and Jimmy Garrison on stupendous form (with a little assistance from members of the Yoga Institute). The astounding performance of John Coltrane's "Africa" on this set...

Deinitely one of / the best Alice Coltrane release, and any coincidence to Christian Vander’s drum solo in 1974 being entitled ‘Ptäh’ is exceedingly unlikely to be a coincidence!

“Sometimes written off as an also-ran to her more famous husband, Alice Coltrane's work of the late '60s and early '70s shows that she was a strong composer and performer in her own right, with a unique ability to impregnate her music with spirituality and gentleness without losing its edges or depth. Ptah, The El Daoud..

Alice Coltrane – harp, piano, percussion
Jimmy Garrison – bass
Cecil McBee – bass
Pharoah Sanders – sax
Archie Shepp – sax
Kumar Kramer – harmonium
Tulsi Reynolds – tambura
Ed Blackwell – drums
Clifford Jarvis – drums

“Alice Coltrane's "The Carnegie Hall Concert" is a previously unreleased recording of a historic 1971 concert. The original multi-track recording was commissioned by Impulse but wasn't released at the time.”

“Had this review been writ

"Alice Coltrane remains a singular figure on the fringe of American music but her appeal is growing. While Coltrane’s music is gaining wider acceptance there is an entire era of her recorded output that remains obscure, almost as if by design. Her four self-published, devotional albums of the eighties and nineties were recorded during a period in which she had withdrawn from secular life. They were manufactured and distributed in limited quantities amongst her spiritual community. Operating outside of ...

A iconic mid 60s John Coltrane album that deserves every singe gram of eminence it has gained in 55 years and counting. If you don't own it, this is a must. Period.

"One of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing, that at once compiled all of the innovations from his past, spoke to the current of deep spirituality that liberated him from addictions to drugs and alcohol, and glimpsed at the future innovations of his final two and a half...

"Archive live release. This newly discovered live-recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history.
While not studio-quality audio, the power of the performance shines through. [editor’s note: It’s much better sounding than one would imagine a audience recording from 1965 to sound like].
This version is also of the full suite and...

“You don't have to be a jazz fan at all to adore this (I'm not); if you're into Mission of Burma, The Stooges, or any other music that pins the intensity level to 10 and leaves it there, you have to give this a try. Your life may change, too.”-Eric Van

When I was a kid, trying to teach myself about ‘avant garde music’, one of the things I did was check out the local library.
The Wheaton Library had a number of ‘modern’ recordings (vinyl records – this was 1971-1972) that I checked out...

“In 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled 'Le chat dans le sac" ("The Cat in the Bag"). Amazingly, no announcement was made that the iconic Coltrane was adding new performances to this film. In June of that year, Coltrane's Classic Quartet entered Rudy Van Gelder's studio and recorded five previously-recorded Coltrane originals.
For many years, viewers of the film who recognized the music thought that they were...

"Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, like finding a new room in the Great Pyramid. Featuring the Classic Quartet - John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones - and recorded at the end of a two-week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected and reaching in new, exploratory...

John Coltrane – tenor & soprano sax
Eric Dolphy – bass clarinet, alto sax, flute
McCoy Tyner – piano
Reggie Workman – bass
Elvin Jones – drums

Surprisingly high quality recordings surface over 60 years later and delight a new generation.

“Recently-rediscovered recordings capturing summer 1961 performances by jazz titan John Coltrane during his residency with a stellar line-up of musicians at New York’s Village Gate club.
The recordings, uncovered at the New York..

“For the 1962 European tour John Coltrane led his quartet to new heights. This set includes an extremely rare recording of Autumn Leaves, a ferocious version of Impressions and two of his iconic covers - The Inchworm and My Favorite Things - the latter played to the point of destruction.
This is the group responsible for twenty of modern jazz's seminal recordings from 1961's Live at the Village Vanguard to 1965's Sun Ship. Two years clear of his last tour with Miles Davis and just 5 years shy of his..

“Trane's two blazing performances at Newport in 1963 and 1965 have now been reissued onto one bargain CD! The 1963 performance, even though it featured Roy Haynes on drums instead of regular Elvin Jones, has long been counted among Coltrane's most fiery performances; it appears here with an unreleased extended version of Impressions. Jones is back behind the kit for the 1965 performance, which consists of just two tracks, One Down, One Up and My Favorite Things. Transforming music from a great artist.”

This expanded version of this classic Impulse releases features one of the last appearances by the classic Coltrane quartet, as well as the great 1965 Archie Shepp unit featuring Barre Phillips, Joe Chambers, Bobby Hutcherson!
This version includes about 30’ more music than appeared on the original lp release and gives you about 15’ more from each of the two bandleaders.

A 2009 release featuring: Ravi Coltrane-tenor sax, Luis Perdomo-piano, Drew Gress-double bass, E.J. Strickland-drums with guests Charlie Haden and Brandee Younger on one track.

"This album while having many sections that could be described as...

Excellent release by Ravi (sax) and band; Luis Perdomo-piano, Drew Gress-bass, EJ Strickland-drums.
Is he his father reincarnated? Is he breaking ground the same way his father did? The answer to both of these questions is no, but he is a fine player and this is a fine, contemporary jazz album; nicely recorded and superbly played with a lot of passion.

"On his fourth studio effort, saxophonist Ravi Coltrane charts a softly expansive, reverently adventurous course that by no means shatters...

File Under: Avant/Industrial jazz/rock. The Dematerialized Passenger is Combat Astronomy's second full length release...masterminding this cult underground act, James Huggett (bass, guitar, electronics, programing) has built on the power and creativity...

"The ambition and invention on Time Distort Nine shows a band continuing to expand its horizons. Songs such as the seismic "Hypogeous" give clues that the destination is both earthly and alien: a post-transcendental reconfiguration of Self, Space and...

Quite good and previously unknown to me, early new wave/art rock from NYC. Much better than I would have guessed due to their utter obscurity.
Best 70s snotty new wave lyric: "I hate Disneyland, Mickey wouldn't shake my hand!"
Conditionally highly recommended!

"Compiling the band's two singles, unreleased tracks, live material from the late 70's, and including a 20-page booklet full of archival images and liner notes by noted biographer Chris O'Leary, Come On is recommended for fans of...

Special while they last!

Subtitled "A different story about Tim Buckley, this is a double CD that features two albums by the group Come Buckley, a band dedicated to keeping the work of Tim Buckley before the public, despite his relative...

“Sonic Youth's Lee Ranaldo and French maverick Pascal Comelade relive The Velvet Underground -- a non-nostalgic reinvention of a musical legacy that takes an influential past into the future.
For the world premiere of his latest book Linger On: The Velvet Underground -- published by Eva and Thurston Moore's Ecstatic Peace Library -- Catalan music journalist Ignacio Julià wanted to relive the New York band's original dynamics, that creative friction between an American noise-guitar player and poet...

“Pascal Comelade was born in Montpellier, France. After living in Barcelona for several years, he made his first album, under the name of Fluence, influenced by electronic music and by the group Heldon.
Since 1980 Comelade releases music under his own name. Ever since, his music has become more acoustic and is often characterised by the sounds of toy instruments, used as solo-instruments or as an integral part of the sound of his group, the Bel Canto Orchestra.
Marc Hurtado is one half of the..

A simultaneously wonderful and exceedingly frustrating release, this collects some of the earliest and quite rare work by Pascal Comelade in his electronic music days, before he bacame the 'master' of toy piano and toy instruments. While it's great to ...

“Boom Boom is the follow up of 2015's Traité de guitarres triolectiques à l'usage des portugaises ensablées. Pascal Comelade and Lionel & Marie Liminana aka The Liminanas wrote and performed another album together.
12 new songs, written by Pascal Comelade & Lionel Liminana. Featuring solo guitarists long-time friends of Pascal Comelade: Ivan Telefunken (from Bel Canto Orquestra, also playing live with The Liminanas), Xarim Aresté, and Lalo Lopez.”

This latest release from the unique rock minimalist has tracks recorded over the last few years with a large number of different collaborators on each track.
Overall, it’s pretty obviously him, but much of this is more rock (with drums, even) – even if REDUCTIONIST rock – than I expected.

Unique music from a unique musician. Comelade is a French/Catalan musician who started in electronic music but for over 30 years has specialized in a personalized music that usually features toy instruments and other unusual instruments (cheap organ...

Unique music from a unique musician. Comelade is a French/Catalan musician who started in electronic music but for over 30 years has specialized in a personalized music that usually features toy instruments. Using simple tools, he always seems to be...

“Since his first record published in 1975, Pascal Comelade, a child of the frenzy rock of the '60s and '70s, has developed a profuse body of work including many musical collaborations (PJ Harvey, Robert Wyatt, Jaki Liebezeit (Can), Lee Ranaldo, The Liminanas...) and non-musical collaborations (Jeanne Moreau, Sergi Lopez, Jean François Stévenin, Bob Wilson...) His compositions are reminiscent of MC5, Erik Satie, Nino Rota, Ennio Morricone, Suicide: a language that dances on a musical skeleton in...

A unique and fairly singular talent with his own distinctive playful-yet-serious sound!

"Le Rocanrolorama Abrégé is a clear perspective on Pascal Comelade's musical universe; it can be considered an ultimate "best of" and a radical introduction to this chaotic and uncompromising instrumental music. Rocanrolorama Abrégé (abbreviated "rockandrolorama", in English) is the short version of the complete works and reworks of Pascal Comelade, published at the end of 2016 as a six-CD box set, in a...

"Two listens and I became hooked on Common Ground, a clever fusion duo consisting of saxophonist Chris Farr from Philadelphia and guitarist Erik Sayles of Connecticut. This is the pair's second release, and it also features monster drummer Dennis Chamb...

Ciro Perrino – synthi EMS/AKS, Mini-Moog, ARP 2600, ARP sequencers, Eminent, ARP Omni-2
Roberto ‘Roby’ Rossi – chitarra basso
Marco Tudini – batteria
Alex Magazzino – chitarre, voce
Lady Mantide – piano Fender Rhodes, voce

After the dissolution of the classic one and done band Celeste, keyboardist Ciro Perrino formed St. Tropez, who never released anything at the time, and by 1979, he was leading La Compagnia Digitale, who featured 3 members from San Tropez, and who also never..

''The small Orchestra composed by violins, guitars and double-basses here presents the classic repertoire of local Carnival recorded live in the 1993 edition. The cd is completed by a booklet, in Italian and English, with the descriptions of the story,...

''The violin is a very important instrument in the traditional music of Northern Italy, it is the main instrument of many dances and styles. From Piedmontese curente to the great tradition of Val Resia, from scottish of Alps to the jigs of Bolognese Ap...

''The violin is a very important instrument in the traditional music of Northern Italy, it is the main instrument of many dances and styles. From Piedmontese curente to the great tradition of Val Resia, from scottish of Alps to the jigs of Bolognese Ap...


The fourth by this Spanish quintet who use elements of Catalan folk music mixed in with their jazz/rock fusion sound. This is from 1978 and features electric and Spanish guitar, Fender Rhodes, acoustic piano and moog, soprano sax, bass and drums. Not a...

First-ever CD release!

“Amazing modal jazz session with a deep warm vibe to it and awesome mellow electric piano. Such a great lost gem!”

"This one sort of straddles the line between electric modal jazz and early jazz-rock/fusion styles. But unlike many albums of this ilk from the early 70s US jazz scene, this lacks any of the free and freaky elements that were in vogue at the time. Instead, it embraces a more reserved and melodic sound, reminiscent of certain "brit-jazz" works that were..


''One of the most original groups in modern Japan, Compostela blends folk musics of Eastern Europe with the tradition of Japanese chindon (street musicians who play at grand openings of supermarkets and pachinko parlors, dressed as geishas and samurai)...

"The seminal British progressive rock/folk band Comus is back. Their classic debut album, First Utterance, release in 1971, is on just about anybody who's anybody's list of "Desert Island" records. East Of Sweden is a live CD recorded at the Melloboat...

Classic, DARK freak folk release from 1971 that didn't sound like anything else in the air at that time (and still doesn't). This also includes their very rare, non-lp EP of the same time.

"If you're lucky, very very occasionally, an album comes along which completely blows you away, and you know it will be with you for life. It goes on heavy heavy rotation, and your life BECOMES the album for a while, and you know you'll never be quite the same again. Many strange threads coincided which...

"Originally released 1979 on Reveal, Concept's 1st album Invasion is truly a highlight of Canadian psychedelic and acid rock. Its undoubted relevance to connoisseurs of psychedelic and acid rock finds valid in the group's multiple talents playing music...

"Originally released 1980 on Reveal, Concept's 2nd album Supra Surge is not only the band's masterpiece but generally a masterpiece of psychedelic and acid rock. Hard to believe, but the recording date was in 1980. This could be a lost Amon Düül II...

Alberto Conde piano
Carlos Barretto double bass
Alexandre Frazão drums
Guest artist on Embalo para Bernardo: José Valente viola

"By this time, the usual listeners of the Clean Feed catalogue are familiar with the name of the late Portuguese pianist and composer Bernardo Sassetti – the Lisbon-based label released five records with his name. Among those listeners, many musicians from other countries admire his exquisite and very personal writing and his astonishing work with the black

Gebhard Ullmann, soprano and tenor saxophones, bass clarinet / Michael Jefry Stevens, piano / Joe Fonda, double bass / George Schuller, drums, percussion and hammer whistle.

"If the axis of this band — now commemorating its 10th year — is...

Gebhard Ullmann (bassclarinet, tenor and soprano saxophone), Michael Jefry Stevens (piano), Joe Fonda (bass), George Schuller (drums, cymbals, bells).

"Conference Call's third release catches them live at B-Flat in Berlin, Germany on March...