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Luther Gray, drums / Jim Hobbs, alto saxophone / Geoff Farina, guitar / Dan Littleton, guitar.

"'When I was younger most of my music listening involved a lawnmower and a Walkman. I've spent thousands of hours pushing a lawnmower listening to...

Released to critical acclaim but low sales in 1972, Juliet Lawson's sole album which originally appeared on EMI's Sovereign label has long been overdue reissue. An eccentric, infectious record that showcases her plaintive vocals and gift for melody, it...

"Lazarus was founded by Peter Glatzl at the end of 1970 and they played many gigs in Austria with various line-ups until 1976. This amazing album was recorded in Vienna in 1973 in a professional studio for Rex Records. Only 15 sample copies were...

Fabio Zuffanti is nothing if not a chameleon. Best known for his activities in a number of Italian progressive bands (Finisterre, Maschera di Cera), he has also tried his hand at folkier sounds, rock opera and electronic music. This particular project ...

David Lazonby-saxes, Eddie Roberts-guitar, Simon Russell-bass & Gene Velocette-drums. "...an oasis among the pointless professionalism of big-label jazz."-Ben Watson/The Wire" [Slam]

Lazro-alto & baritone sax & Carlos Zingaro-violin & electronics, recorded live in Marseille, 2/17/95. this music grows exponentially...the familiar becomes something strange, unexpected, transformed. [Potlatch]

Daunik Lazro-alto & baritone saxes, Joelle Leandre-bass, Paul Lovens-percussion & musical saw, Carlos Zingaro-violin. Recorded live 3/21/2001. "Instead of machine gunning the listener, letting him or her in on an inside joke, or testing their polemical...

Claude Leonetti - Léode*
Dominique Leonetti - Vocals, guitar, mandolin
Gédéric Byar - Guitar
Romain Thorel - Keyboards, French horn
Vincent Barnavol - Drum, percussions, marimba

This is the group’s 11th album!

"Lazuli, a band from the south of France, was formed in 1998. Somewhere between progressive rock and electro-world, poetry and travel, the remarkable music of Lazuli is a clever mixture of different musical styles visiting new territories with a rather unusual

"French progressive rock outfit Lazuli has very recently released a new, special album entitled Dénudé, meaning ‘stripped’ or ‘naked’, appropriate for these sixteen unplugged versions recorded in 2020, selected from the band’s first eight studio albums. These ‘undressed’ songs, acoustic or otherwise, are more direct, closer to their origins and the sensations felt whilst writing. Singer/composer Dominique Leonetti puts it this way: “One way to get closer to our listeners in these times of forced...

For this French favorite’s ninth album, they’ve gone all out and packaged it in a beautiful hardbound book with a 60 page booklet, and it’s really quite the package!

"The album, the follow-up to 2018’s much acclaimed Saison 8, is an allegorical fable and is a special tribute to all their loyal fans. It is dedicated to Dieter Böhm, a German fan who travels everywhere across Europe to see them play live.
The concept of the album tells how a musician plants a note on a desert island, which then.

"Can it be possible that we've got to 2014 without me ever having heard a studio album by Lazuli? Yes, ladies and gents, that is possible, I can assure you. Whilst I vividly remember Lazuli live in Tilburg some years ago in 2007 at the Symforce...

"Music and Poetry of the Kesh is the documentation of an invented Pacific Coast peoples (the Kesh) from a far distant time, and the soundtrack of famed science fiction author, Ursula K. Le Guin's Always Coming Home.
The ways of the Kesh were originally presented in 1985 as a five hundred plus page book accompanied with illustrations of instruments and tools, maps, a glossary of terms, recipes, poems, an alphabet, and with early editions, a cassette of "field recordings" and indigenous song. Le Guin..

Modern electric jazz from top French jazz trumpeter Eric Le Lann co-leading the band with legendary ex-Magma bassist Jannick Top with Damien Schmitt and Lionel Loueke plus many guests.

Benedikt Reising – alto saxophone
Marc Stucki – tenor saxophone
Andreas Tschopp – trombone
Marc Unternäher – tuba
Rico Baumann – drums

“...They’re effectively a mini brass band, but with jazz chops and a great sense of humour. They mix old school with the new, referencing everything from New Orleans to Chicago. … A band that must be great to hear live, the sort to get you dancing in the aisles” – Jazz Today ...

"...this Swiss combo mixes it up with the best of them...finds the unexpected and makes it feel like we’ve heard it forever." – New York City Jazz Record...

Leach's work explores the physicality of sound, working extensively with the timbres of instruments, creating unusual combinations & interference tones. Space is also a concern; how sound changes when moved around a room. [Experimental Intermedia]

“Didn't realize the range of his writing, including a number of songs that were pop hits by others. Good Morning, Blues is a classic, as well as Bourgeois Blues. Some remarkable guitar playing as well. Recording quality is better than on another "definitive" Leadbelly collection, that’s just 2 CDs. Buy this 3CD one.”

Joëlle Léandre: Bass

“Joëlle Léandre is a living legend. It is almost impossible to list all the international greats of free music with whom Léandre has played in her decades-long career. With Zurich Concert, the magician and rebel on the double bass presents an impressive solo statement. “It is no coincidence that she once described the bass as her bedrock, her spinal column and the place where she stores her memories. Joëlle Léandre does not play music, she lives it ... (she) spins a...

“Bass and flute represent significant tonal contrasts and here, flutist Jerome Bourdellon and world-renowned bassist, composer and improviser Joelle LEandre divulge innumerable perspectives and quite a bit of food for thought on these duets. However, Bourdellon employs bass clarinet and bass flute on two tracks, as no other instruments are nestled into the mid-sections of the program and the artists follow similar modalities to complement and support each other.
Each piece presents a different ...

Joélle Leandre, bass/Pascal Contet, accordion.

"This pair of great French musicians had a previous duo recording in 1994, but it's now difficult to find. It was such a marvellous encounter that a second session has been greatly anticipated. ..

“Contrabassist Joélle Leandre and West Coast woodwind player Phillip Greenlief work out 11 different compositions between their two respective instruments and voices on That Overt Desire of Object. The flexibility and space that each provides the other seems to be reflected in the line note comments about the negative effects of greed. The title is a variation of the Luis Bu±uel movie That Obscure Object of Desire (1977), with a playing field that appears a bit more level when compared to the bassist's...

"If a book is not to be judged by its cover, as the saying goes, here is one recording whose title should not be mistaken as a collection of jazz standards. But all of the music contained in these eleven tracks literally comes from out of nowhere, the...

“Leap of Faith is the duo comprised of PEK on clarinets, saxophones and flutes, and Glynis Lomon on cello, aquasonic and voice. The ensemble is based in Boston and dates back to the early 90s. They utilize a huge arsenal of additional instruments to improvise long works featuring transformations across highly varied sonorities.”

"Lebanon is a primarily instrumental band from Tel Aviv that blends metal, prog, and psychedelic elements into its layered and complex compositions. Many things influence the band: records, beer, art, women, philosophy, and the political catastrophe...

New solo album by Guy, who is the mastermind keyboardist/leader/composer of Nathan Mahl. [Xntrik]

Kind of a funny name for the group who released this very aptly named release. This is wide-screen, technicolor postrock/progressive rock from imaginary films. You can definitely hear at its roots the spacier side of Pink Floyd, as well as other groups bo

"This is the sound of a band having fun… like a hot chainsaw through butter." – The Wire

"One of the UK’s most adventurous groups" – Jazzwise

"You’ll be hard pressed to keep the lid on this explosive tour de force of...

This great London quintet (dual alto saxes, keyboards, bass and drums) have been a band for 7 years and releasing albums for 4. Their fresh sound takes jazz and jazz-rock and feeds it through a post-modern skronk blender. They are a huge presence on...

Sensible Shoes is the fourth album by this London quartet of dual alto saxes, Fender Rhodes & keyboards, bass and drums. It is a cataclysmic offering of jazz-rock, free-jazz, avant-skronk, funk-rock, art-noise and whatever else they can lay their hands on. A tremendously popular act at home in the UK, where they regularly play large-scale festivals and concert halls (as well as playing the typical club gigs that all musicians play), Sensible Shoes is their first recording to be released outside of the UK...

"The brilliantly rabble-rousing quintet Led Bib celebrate their tenth anniversary in 2014. To mark this milestone, [they] release The People In Your Neighbourhood...and it's their most assured and very probably their best album to date." – JazzUK

A truly great new studio release by the MIGHTY BIB!

"Easily the most adventurous and audacious outfit on today’s UK jazz scene, Led Bib has built a reputation over the course of seven albums for expansive improvisations and treks into genre-defying music of throbbing intensity. All Music Guide called their singular brand of jazz “explosive enough to blow up your speakers” while The Wire weighed in with: “This is the sound of a band having fun...like a hot chainsaw through butter.” For their...

Their fifth album. The opening track, The Song Remains the Same, is one of their all-time best! "Buoyed by the runaway commercial success of Led Zeppelin IV, Jimmy Page used this 1973 follow-up to hone his already impressive production skills, and the...

The first album by one of the biggest bands of rock. It all started here. Ah, those innocent days, back when they would still credit Willie Dixon when they covered his songs! That wouldn't last! A great, heavy rock album....

Extremely good sound from two short performances in March, 1969. Hear Jimmy channel (i.e. steal) Hubert Sumlin’s Smokestack Lightnin’ riff during the band intros!

Konserthuset, Stockholm, Sweden 14th March 1969 Sveriges radio
1. Train Kept A-Rollin
2. I Gotta Move
3. I Can t Quit You Baby
4. Dazed & Confused

Gladsaxe, Copenhagen, Denmark 17th March 1969 TV-BYEN
5. Communicatoon Breakdown
6. Dazed & Confused
7. Babe I m Gonna Leave You
8. How

"In the summer of 1993 Elena Ledda released one of her most accomplished albums, Incanti, on the French label Silex. Reissued ten years on, now a cornerstone of European folk music recording, it still sounds as fresh and inventive as ever...

Elena Ledda voice, Simonetta Soro voice, backing voice, Astrid Tischmeyer backing voice, Mauro Palmas mandoloncello, Friedemann Witecka guitar, keyboards, sequencer, Silvano Lobina bass, Alberto Pisu drums, Markus Faller percussion, Riccardo Tesi melodeon

This is ''an acoustic album of great distinction, originally recorded & released in 1988. Ledda's voice is the perfect union of strength & sweetness, & the use of musicians whose background was not exclusively traditional contributed to having a highly...



"Okkyung Lee’s newest project has her delving deep into her Korean roots to create an amazing long-form piece combining electronics, improvisation, composed melodies and noise with Korean traditional music. The piece unfolds like a ritual, making these disparate and unusual pairings seem totally organic and natural. Performed by an all-star international ensemble of musicians from Korea, Norway, Britain and the United States, this is one of the most compelling fusions of Korean traditional and...

“Okkyung Lee's is perhaps the most harrowing of the Black Cross Solo Sessions stories. At the onset of COVID, the cellist was called to travel to Korea to be with her dying father. The trip was sudden and didn't allow her to bring her instrument, but once there she was unable to return to New York because of the stringent lockdown. For months she was stranded without her cello, unable to practice or make any music. This intense alienation took a long time to lift. Indeed, even after she made it back to...

With Tim Barnes, Shelley Burgon, Sylvie Courvoisier, Trevor Dunn, John Hollenbeck, Ikue Mori, Doug Wieselman. "Born in Taejon, Korea, Okkyung Lee moved to Boston in 1996, where she received degrees in film scoring and improvisation. A ubiquitous figure...

"An important member of the downtown scene since 2000, Okkyung Lee has worked with Laurie Anderson, Evan Parker, Vijay Iyer, Thurston Moore, Butch Morris, Larry Ochs, Christian Marclay and John Zorn, among others. Her new project for Tzadik features...

Peggy Lee (cello)
Brad Turner (trumpet)
Jon Bentley (sax)
Jeremy Berkman (trombone)
Ron Samworth and Tony Wilson (guitars)
André Lachance (bass)
Dylan van der Schyff (drums)

T”his is the sixth studio album of The Peggy Lee Band, the first since 2012. The band was formed in Vancouver in 1998 to, as Peggy writes, "explore different strategies for improvisation within composition and to feature the unique and brilliant individual voices that make up the band.
Ov

Lee Pui Ming (piano, voice, body) + Joane Htu (voice, alto sax). "Improvised music using piano, objects, alto sax, voice and body. Music that is strange, expansive and elusive."

Robbie Lee - sopranino saxophone, tuning forks with live electronics

“Robbie Lee is an improviser and sound creator in New York City, performing on an eclectic range of instruments, across the fringes of creative music in many scenes. On Prismatist he plays only two things: sopranino saxophone and tuning forks with live electronics. They are like two currents alternating through the album, a double helix of contrasting extremities. The sopranino, even higher than the soprano saxophone, twists...

"A dark soundtrack-like work from Lorenzo Esposito Fornasari (AKA Lef), performed by an all-star band featuring American bassist Bill Laswell, Norwegian guitar visionary Eivind Aarset, Norwegian jazz trumpeter Nils Petter Molvaer, thunderous Norwegian drummer Kenneth Kapstad (Motorpsycho), British saxophonist Rebecca Sneddon (Free Nelson Mandoomjazz) and Norwegian organist Ståle Storlokken (Supersilent, Motorpsycho)."

Cyril Lefebvre is a guitarist who plays sort of 'old timey' style, finger-picked guitar, but who is known for his time working with Rick Brown and Sue Garner (Fish and Roses), Guigou Chenevier (Etron Fou, Volapuk) and Video-Aventures. His stylistic...

Karl Hjalmar Nyberg, saxofones / Andreas Skår Winther, drums, strings / Klaus Ellerhusen Holm, saxophone / clarinet / Michael Francis Duch, double bass.
"It may allude to the first name of Karl Hjalmar Nyberg, but the designation Mr K present us the duo founded by the mentioned saxophonist with drummer Andreas Skar Winther. The intended ambiguity of this project goes beyond this personal identity factor – it’s everywhere in the music. Mr. K covers all the possible approaches to improvisation, going...

“The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman. The band was originally called "One Day..." but subsequently changed the name to The Legendary Pink Dots, apparently inspired by pink dots on certain keys of the band's main recording studio piano. In the 1980s the...