"Ever since the pianist, keyboardist and composer born in Enschede, The Netherlands, in 1947 quit his apprenticeship as a textile technician in favor of jazz, i.e., around 50 years ago, he has experimented in a beautiful new world of music between hard bop, free jazz and all forms of fusion, from African grooves to European reverence. "I can only be a jazz musician, because I know nothing," he said. "I know nothing! I just have great fun playing, and I rehearse like crazy. I love my instrument, and I...

Günter Christmann - cello, trombone
Alexander Frangenheim, double bass
Mats Gustafsson - soprano saxophone
Thomas Lehn, live-electronics
Paul Lovens – percussion

“Since its first iteration in 1979, Vario has appeared in some fifty different versions, with a great variety of musicians, also actors, dancers, and filmmakers. It's the brainchild of Günter Christmann, a powerhouse of improvised music in Germany whose influence is out of scale with his acclaim. Since his emergence on.

"This is the untold story of the bloodline of a sprawling musical legacy that unites a freakish family of disparate, influential pop-cultural orphans and the estranged surrogate parent that lost-pop forgot it ever knew. Between 1968 and 1974...

This was originally only released in Argentina in 1971 and is Nana Vasconcelos’ first release.
Sort of an odd album in that it opens with a nearly 20’ solo berimbau solo by Nana, that’s amazing, and then there is a 12’ improvised duo between him and nylon-string, bosa-nova guitarist Agustin Pereyra that’s also great and then there are two short, solo, acoustic guitar tracks at the end.
Liner notes in English and Portuguese and never seen photos!

“Often missing in Naná Vasconcelos'...

“Early Sarah is the best Sarah”, said the jazz snob, “and Sarah live in 1952 is some of the best!”

His last album released in his lifetime and some consider it his best!

Josh Strawn - vocals, guitar and synthesizers
Kevin Hufnagel – guitar
Toby Driver - bass
Charlie Schmid - drums and electronics

“The ever-evolving quartet Vaura follows up their 2013 album The Missing almost six years later with Sables, their most refined and contemplative release yet.
Introspective and somber, this album finds the band shedding most of it's post-metal heaviness in favor of experiments with brooding kosmische musik and the more avant-garde elements of new wave

Keyboardist Luis Vecchio has 4 albums listed in Discogs, of which this is the final (it’s from 1978).
At its best (maybe half of the record?) it comes across very much like an instrumental Area circa 1978! That’s really a pretty fucking great place to be, at least if you are me!
Again, it isn’t ALL that good, but what’s good is REALLY good...

“Cosmic jazz from the Canary Islands. After a few years in London, where he worked with Archie Shepp and recorded a sought-after album for the...

Jack was the bassist of Forever Einstein, & a monster player. This record of solo bass (with live mutliple overdubbing, due to the wonders of digital devices) features 3 rock chestnuts: I Want You (Shes So Heavy) by The Beatles, Manic Depression by Jim...

Solo pieces for trombone, didgeridoo & live electronics.

"Early recording (1967) of Eastern European free improvisation, which maintained a strong tension between restraint and the all-out blowing of its Western relatives. Though more traditional postbop inspirations are evident, there is the beautiful...

Unique and good album of music by a group (guitar, sax, percussion) that started their life as a strictly improvised group, but by the time they made this, their only album so far, some structures and melodic materials had also found their way into the sounds.

"This Finnish trio is an interesting combination of jazz, post-rock, and a few poses copped from the entities that are Tangerine Dream and U2. Sneer if you will but this is the stuff well dressed college kids will be wetting themselves over..

Bostjan Simon sax, electronics
Stephan Meidell guitar, bass, percussion, electronics
Luis Candeias drums, percussion
"«Lean back and give it time to grow», asks Velkro to the listener in the liner-notes of their new CD, “Too Lazy to Panic”. In fact, the compositions by the trio with Bostjan Simon, Stephan Meidell and Luís Candeias need your attention to develop. They may be intense, but there’s no hurries. This hybrid of jazz with psychedelic jamming rock and experimental electronic music...

"One would be hard-pressed to name a rock album whose influence has been as broad and pervasive as The Velvet Underground & Nico. While it reportedly took over a decade for the album's sales to crack six figures, glam, punk, new wave, goth, noise, and nearly every other left-of-center rock movement owes an audible debt to this set. While The Velvet Underground had as distinctive a sound as any band, what's most surprising about this album is its diversity. Here, the Velvets dipped their toes into dreamy...

After founding and leading Arti E Mestieri through 2 great albums, guitarist and composer Gigi Venegoni left and started another band, who released 2 albums on Cramps in the late 1970's. They were a more stripped-down band, using keyboards, guitar, bas...

Bob Drake: drums, bass, backing vocals, tapes, viola
Susanne Lewis: vocals, guitar, viola, accordion, synths

Venus Handcuffs is an early, pre-Hail project by Bob Drake and Susanne Lewis, both of whom were working in Thinking Plague at the time they were also simultaneously doing this duo work.

"Referred to as "a cross between Throbbing Gristle and Nick Cave" during the band's lifetime, Venus Handcuffs got their start in the ranks of Colorado's most far-reaching band, Thinking...

“Willy Verdaguer is an Argentinian bass player that has lived in Brazil since the late 60's. He has long been associated with progressive rock and jazz/rock in Brazil, playing with well-known Brazilian players and with progressive rock bands such as Secos & Molhados in the early 70's.
This, his third solo album, features progressive instrumental music, with some guests, like the guitar player of O Terço and others. He mixes classic prog influences with some Latin touches.”

“The new...

“When I first listened to The Hallowed Plant, I was immediately captivated. It’s a work that grabbed my attention and made immediate, intuitive sense. It seems that that the artists had a similar experience; after all, the band recorded it after having only played together twice previously. Chilean trumpeter Benjamin Vergara (trumpet) traveled to Chicago a few years ago and met Chicago-based musicians Keefe Jackson (reeds), Jim Baker (piano/synthesizer), and Phil Sudderberg (drums). It seems the...

Now in stock, the group's first album from 2014 which features guest drummer Jaki Liebezeit!

"With an artist roster as prolific and well-established as Kompakt's, you won't find much downtime that could be used for new entries to the catalog. That's why the label is especially happy to not only present Vermont's inaugurating full-length, but also to introduce two distinguished producers to the fold that have built their impressive careers in Kompakt's immediate vicinity, albeit appearing on the...

A new release by Pierre is always a cause for joy in Wayside land, as he was the brain behind the much-missed X-Legged Sally and the still currently active Flat Earth Society. This is more of a sketchbook kinda release, as there aren't other musicians...

From September 2017 to December, Pierre Vervloesem (Flat Earth Society, Orchestra Exotica, X- Legged-Sally...) spent 3 months editing, mixing adding guitars and basses, keys and noises, spices and magic to a few recording sessions he did with Alinovsky who provided on command or improvised beats, percussions and keys.
The album features also Caroline Lumia, an electro acoustic artist who gave a full range of field recordings and house noises that Pierre used on most of the tracks.
The result...

“First time ever on CD, this collection of experimental recordings was originally released on Scandia, one of Finland’s largest labels, which shows how open the mood of the mid-seventies was for new things, even in large-scale record companies.
Ode to Marilyn, based on a group of recordings from 1973, is a sophisticated gem of experimental music. The recording sessions resulted in the material on the album, which is a coherent and balanced package and is a combination of avant-garde, improvisation...

Ivan Fedotov – drums, percussion, сachon, wave drum
Arkady Fedotov – bass, synth, noises
Alexander Kuzovlev – guitars, mandoline
Alexey Klabukov – keys, synths
Vitaly Borodin – violin, accordion, piano, synth
with
Pavel Alekseev – tenor saxophone

Latest (well, as of October 2018) release by this excellent Russian spacerock and more ensemble. And on this one you will definitely hear a lot more ‘and more’!