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"The magical interplay and incredible virtuosity of this exhilarating trio of string masters has made it one of the most beloved and acclaimed of all Masada ensembles. Back now by popular demand for their first studio recording in over five years, their t

This is a real suprise to see and the music inside actually lives up to the expectations I had for this! In the early 1980s, drummer Jean-Paul Prat released a excellent zeuhl album called "Masal”. It was little known and he basically faded away until recently.
This album features
Vincent Brizoux-saxophones
Steve Marsala-guitars
Jean Prat-drums
Jean-Paul Prat-piano
And Julien Sarazin or Jerome Trigon-bass
This is a more ‘rocking’ progressive rock work than his other recent

''My impetus for founding this 16 piece orchestra was based on the desire to have a hybridized, inter-cultural, electronic-friendly, inter-media orchestra that could perform my compositions...''-Miya Masaoka.

“30 seconds of acid and malmostous baritone sax, almost a guitar in a jungle of elephants, then a groove poised on the pulsating string, the electronics shifting volumes, weights, the bass as a stably unstable center of gravity to advance on the precipice, the drums to bring order to disorder, the voice to raise its head in this electric storm, to point its eyes towards a sun that will not arrive. by the Masche quintet is dark Invisible Cities The mood of this debut inspired by Calvino's . Disk of ...

"Between the 90s and early 2000s there was a real rebirth of Italian progressive rock, which saw the birth of numerous bands dedicated to sounds that were believed to be irremediably lost in the folds of time. Among the main supporters of this rebirth was La Maschera di Cera, a band that united members of the already well-known Finisterre (Fabio Zuffanti, Agostino Macor, Marco Cavani) with the expressive voice of Alessandro Corvaglia, former collaborator of Zuffanti in the “Merlin – The Rock” project...

The greatly awaited 3rd album by this extremely good Italian symphonic/progressive band is a live album. Therefore it isn't really a step forward, but more like a re-evalution and recapitulation of their work so far. "The Wax Mask" are a five piece who...

This is where it all began for this very fine, modern-day RPI band! Includes four bonus tracks!

The homonymous debut of La Maschera di Cera, dated 2002, obtained excellent and unanimous acclaim at the time, and was hailed as the best Italian prog album since the legendary debut of Alphataurus: four long songs in perfect prog tradition, including the long title track stands out, which would take up an entire hypothetical first side of a vinyl record. Acoustic guitars and an incessant carpet of...

To my mind, La Maschera Di Cera are the very best of the classic style Italian symphonic/progressive rock bands out there and every one of their releases has been nothing less than excellent. For this, their fifth studio album, they've really pulled...

“La Maschera di Cera was founded in 2001 as a tribute to the sound of '70s Italian progressive rock, on the initiative of Fabio Zuffanti who gathered around him keyboardist Agostino Macor, drummer Marco Cavani (from his other band Finisterre), singer Alessandro Corvaglia and flutist Andrea Monetti.
After a self-titled debut (2002) that had been hailed as "the best Italian prog album since the Alphataurus era", the even more complex and ambitious "Il grande labirinto" followed just one year later...

“Originally released in a very limited capacity in 2001, Maserati's debut album finally gets reissued to commemorate the band's 20th anniversary. Remastered from the original master tapes by Josh Bonati, 37:29:24 featured Maserati's original lineup of Coley Dennis, Matt Cherry, Steve Scarborough, and Phil Horan, and includes many of the most placid and medicative moments in Maserati's storied catalog - a darker, more pensive night drive than they would come to be known for on their later albums.”

“Originally released in 2002, The Language Of Cities was Maserati's second album - and their last before Jerry Fuchs joined the band.
Out-of-print and unavailable for over a decade, The Language Of Cities finally gets reissued on all formats to commemorate the band's 20th anniversary.
Remastered from the original master tapes by Josh Bonati, The Language Of Cities featured Maserati's original lineup of Coley Dennis, Matt Cherry, Steve Scarborough, and Phil Horan, and remains the most sprawling..

Latest (2015) release by this band who fuse post-rock, prog, classic, rock-oriented horror soundtracks, space-rock, disco and electronics. Think Zombi, Chrome Hoof, John Carpenter, Goblin! Good stuff.

"Maserati are a band obsessed with process. Specifically, they're obsessed with the process of marrying the past to the future - retro futurists hellbent on forging Krautrock and classic rock into one motorik, monolithic vehicle. Rehumanizer is the most accomplished product of that process to date...

2013 release by this band who fuse post-rock, prog, classic, rock-oriented horror soundtracks, space-rock, disco and electronics. Think Zombi, Chrome Hoof, John Carpenter, Tangerine Dream! Good stuff. "When Jerry Fuchs joined Maserati in 2004, he initiated a complete overhaul of the group: old songs were dropped, tempos were drastically sped up, and the budding psych-rock impulses of guitarists Coley Dennis and Matt Cherry were given room to grow. Beginning with the electrifying Inventions For The New...

Features the Masin track 'Clouds' as sampled by To Rococo Rot and Björk."

“Following the reissue of the entire recorded output of South London-based experimental act This Heat and it's successor, Camberwell Now, Modern Classics Recordings holds the lens up to a special split album created by one of the driving forces behind those groups - drummer Charles Hayward - in collaboration with Italian musician Gigi Masin, whose looping, rhythmic, electronic compositions have seen his cult following grow.

Clara Weil : vocals
Olivia Scemama : bass
Tom Malmendier : drums

“Vocals, bass, drums, Masked Pickle is three singular "voices" who express their ideas in a unique way, follow their flow but also like to break it, deconstruct the easy path of the sound by yelling, whispering, blowing, bawling, roaring, scraping, declaiming, knocking.”

Nicolas Masson, tenor saxophone / Colin Vallon, Rhodes electric piano / Patrice Moret, double bass / Lionel Friedli, drums.

"Can you imagine a music born from the crossed influences of Ornette Coleman, Wayne Shorter, Warne Marsh, Black Sabbath...

Totally wonderful round up of all the 7” and EP titles that Geoff Leigh (ex-Henry Cow) released in the late 70s and early 80s. Quite wonderful arty-art-damaged post punk whatever whoo-haa! Recommended.

“Zig-zagged music, the specialty of MCCB. Across a wide spectrum of sound comes minimal electronics, jilted avantpop, artpunx, and progressive music. Some folk in there as well, somehow. This is a very fine collection of Leigh's various musings, and with it his sharp humor and immense talent shines...

''A legendary meeting of three contemporary masters: Fred Frith (guitar), Bill Laswell (bass) & Charles Hayward (drums). From Material, Arcana and Praxis, Henry Cow, Skeleton Crew, Keep The Dog and This Heat, these three geniuses have been involved in ...

Right after Henry Cow ended, Fred Frith moved to NYC. He played a little with people here and there and worked on his Gravity album, but Massacre - formed on Valentine's Day, 1980, and lasting until late summer 1981, was his first real post-Cow band. R...

I thought that this was by far the best Massacre album since Killing Time 25 years ago(!). The rhythm section is consistantly interesting and inventive and Fred plays just monsterously well here, in a way I haven't heard him do on record in too long...

"One of the first, longest running and most acclaimed improvisational rock ensembles in the world presents a special collection of live recordings culled from the private archives of guitarist extraordinaire Fred Frith. Hand picked for this release...

A blistering live performance by one of the greatest instrumental rock trios ever. Fred Frith, Bill Laswell and Charles Hayward have each been responsible for some of the greatest concerts in new music in the last twenty years, and collectively they t...

Simone Massaron-electric guitars, loops, Daniele Cavallanti-tenor sax, Steve Piccolo-bass & vocals, Elliott Sharp-electric guitars, Tiziano Tonori-drums

"[...] excellent debut album for a top level guitarist. [breaking news] is favoured by a...

"Don't let the "featuring Carla Bozulich" fool you. This is as much a Carla album as any Fibbers or Evangelista album. She wrote all the lyrics and sings on every track. If the Evangelistas are too Out There for you (or even if they're not), Get Thee...

Håvard Nordberg Funderud – guitar
Lauritz Lyster Skeidsvoll – saxophone
Karl Erik Horndalsveen - double bass
Martin Heggli Mellem - drums

“Master Oogway are four young musicians aged between 23 and 26. They met at the Norwegian Academy of Music in 2015 with a common desire to play vibrant, improvised music with strong themes and room for spontaneity at a high energy level. Like many players on the young, Norwegian progressive jazz scene their instrumental skills are already highly...

Håvard Nordberg Funderud - guitar and 12-string guitar
Lauritz Heitmann Skeidsvoll – saxophone
Martin Heggli Mellem – drums
Karl Erik Hornsdalsveen - double bass
Henriette Eilertsen - flute

“Back in 2020, Kafé Hærverk, Oslo's live hotspot for a wide range of jazz and experimental music invited Master Oogway to do monthly concerts from August to December, bringing along a guest for each occasion. Two had to be moved to 2021 due to Covid restrictions, but the other three were...

Unbelievably great price on a great release. Mastermind were one of the very first of the new progressive revival bands who began to emerge in the late 1980s. They were a guitar power trio whose guitarist and leader (Bill Berends) used midi-guitar to...

The first album by Mastermind, recorded in the late 80's and originally released in 1990, I believe. The big deal with Mastermind back then was that they were a guitar power-trio who were obviously influenced by ELP, among others, and Bill Berends used...

Algumia is a precious Mediterranean jewel; like the coral necklaces so typical from this beautiful town. If you've been to Alghero at least once, you know it's a place totally different from any other place in Sardinia with the sea, the people, the langua

"In the Sardinian region of Alghero the inhabitants speak Catalan, a language that is an expression of a highly peculiar culture though one which is fully part of the Mediterranean area. Singer Franca Masu is a child of this special artistic....

Markus Reuter: Synthesizers, Samples, Treatments, Soundscapes, Field Recordings
Tobias Reber: Electronic Rhythms
Raphael Preuschl: Basses
Gary Husband: Keyboards
Andi Pupato: Percussion
Brian Krock: Saxophones and Flute
Luca Calabrese: Pocket Trumpet
Aralee Dorough: Flute
Colin Gatwood: Oboes
Charlotte Pelgen: Vocals
Zoey Gley: Vocals
Graça Cunha: Vocals
Lisa Fletcher: Vocals
Deborah Carter Mastelotto: Vocals
Pat Mastelotto:

These hugely expanded reissues of the two, classic Matching Mole albums are really just a dream come true for Canterbury heads/Robert Wyatt fans. This features photos and other ephemera, liner notes by Sid Smith, newly remastered sound and most...

"Great sound, great artwork - so thanks once again." – Robert Wyatt

Bill MacCormick – bass
Dave MacRae – electric piano
Phil Miller – guitar
Robert Wyatt – drums, vocals


Formed by drummer/vocalist Robert Wyatt after he left the pioneering UK jazz/rock Soft Machine in 1971. The band was exceedingly active for a band that lasted less than one year, recording two albums and playing dozens of shows throughout Europe.
In 2001, Cuneiform released...

These hugely expanded reissues of the two, classic Matching Mole albums are really just a dream come true for Canterbury heads/Robert Wyatt fans. This features photos and other ephemera, liner notes by Sid Smith, newly remastered sound and most importantly, a host of bonus material!

Less than six months after leaving Soft Machine (Robert left in August, and the record of this album began in December, 1971), Robert began work on a solo album. As he worked on it, musicians began to perform on it...

"In October 1974, the first number of L'Indépendant du Jazz, a small self-produced magazine DIY -- before punk supposedly invented the concept -- was launched by Jef Gilson, Gérard Terronès, Jean-Jacques Pussiau, and a few other specialists of a different kind of jazz in France, it looked at the already long career of Jef Gilson and in detail at the album with saxophonist Philippe Maté: 'The 'Workshop' is, with Philippe Maté (alto-sax), an undeniable success. Maté is genuinely 'the' most inventive French...

"The album to end the summer...

'Abandoned By The Sun', by Mater Thallium. Mater Thallium was formed in 2013 as as a celebration to iconic bearers of dark rock music — Candlemass, King Crimson and Black Sabbath — by two members of the legendary

Japanese-only CD release of the incredible, first full-length album by Material, which somehow ended up being released in the USA on a major label.

When this was released in 1981, it was one of the very earliest of the 'downtown sound' albums...

Jørgen Mathisen tenor and soprano saxophone
Erlend Slettevoll piano
Trygve Waldemar Fiske double bass
Dag Erik Knedal Andersen drums

"In what concerns the domains of symbolical relationships, Jorgen Mathisen’s Instant Light is to astronomy what the Sun Ra Arkestra is to science fiction, and the titles of “Mayhall’s Object” compositions are illustrative of that difference: “Magellanic Cloud”, “MACS0647-JD” and “Neutron Star”, for instance, are clinical names for existing cosmic bodies.

"This DVD contains various recordings made during a 16 year span, including live and studio recordings featuring many of my favorite musicians, plus lots of solo drums. I am happy that all of this material is recorded at all. It would have been a shame to set my hair on fire without being able to see it after..." –Morgan Agren

"...influenced by Miles Davis, Frank Zappa, the Mahavishnu Orchestra and Earth Wind & Fire.... the Mats/Morgan men integrate everything and make it their own. – Audiophile...

Keyboardist Mats Öberg and drummer Morgan Ågren have worked together for nearly 3/4s of their lives. Both were childhood prodigies who have grown into adults who are considered absolute masters of their instruments and they have continued...

If you ever wanted a sampler of what Mats/Morgan do, this is the right place.

"35 years of work converted down to 2.5 hours of music! These are our favorite tracks! (All remastered!)
When I was 14 years old I received a telephone call from a lady that was organizing a concert in a little village outside Umeå, Sweden. She asked me if I could join this blind pianist named Mats Öberg. She knew about me and believed that I might be the right one for Mats. Same musical taste maybe, and same age...

Swedish duo Mats/Morgan create their own sphere in the transcontinental music scene, a zone wherein progressive rock, jazz-rock fusion, experimental rock, electronica, and progressive pop overlap and intertwine...

Keyboardist Mats Öberg and drummer Morgan Ågren have been playing together since their childhood. They were 'discovered' at a very young age by Frank Zappa and are legendary in their native Sweden and beyond. Trends and Other Diseases is a reissue of...

Live was Mats/Morgan Band's fifth album, the first by the extraordinary expanded lineup of the group (Mats, Eric Carlsson and Robert Elovsson-keyboards, Jimmy Agren-guitar, Tommy Thordsson-bass and Morgan-drums) and the first that I heard by them...

Live was Mats/Morgan Band's fifth album, the first by the extraordinary expanded lineup of the group (Mats, Eric Carlsson and Robert Elovsson-keyboards, Jimmy Agren-guitar, Tommy Thordsson-bass and Morgan-drums) and the first that I heard by them...

Mats Oberg (keyboards) and Morgan Agren (drums) first began playing together 25 years ago (!!) when Mats was 11 and Morgan was 15. Originally very influenced by Frank Zappa, they actually played with Zappa in 1988, but while some of the Zappa influence...

Two lengthy works by this young composer. One is for mezzo-soprano voice and chamber orchestra, while the other is for guitar, Concert & Celtic harps & Percussion in Pythagorean tuning. [New Albion]


Jun Matsue is a Japanese guitarist sorta in the Jeff Beck vein and I first heard of him from his excellent guest work on the first Machine and the Synergetic Nuts album. MSN informed me that he has a solo career and they sent me a sample of this solo a...

"Drums (Samuel T Lohman) & Guitar (Edward J Ricart) Improvised Astral Cartography. MATTA GAWA is an improvising drums+guitar duo hailing from Washington DC. Building with time and texture, their music is deeply connected to the methods and spirit of ...